Active Reception opens to the world around us through its myriad life forms—as a book of bottoming, queer kin, and a history of letters that thinks through a mode of writing from the bottom.
“Noah Ross’s Active Reception is a corporeal tapestry, a verso clench of membrane. Figuring the asshole not as absence or empty voicelessness, but as a form of the body’s narrative capability, Ross articulates gossip, disease, joy and dissolution in mucal blossom, snapped taut by typewriter ribbon. For him, the void is affective trap as much as it is a path of material discernment—a space where balances of labor, erotics and power are liquidated in the queer mingling of blood and come as much as they’re made discrete, parceled out in a series of uneasy structural relations. Both a sensuous act of objection and an art of sensing oneself as object, what Ross posits is no ascetic ideology nor wasteful orgy, but a true perversity of politics. Active Reception mirrors the slick ways in which we absorb and inhibit the violence of capitalist and carceral logics. How we love each other; an airless density, its thin ecstasy of papercut. I can’t, I gag for it.”