Vibratory Milieu weaves together eight years of writing to build an interconnecting web of accretionary meaning, using bits and pieces from a myriad of sources: current events, social media quips, film, literature, and theory. Hunter’s reading practice as art form merges with practices of attention as she culls lines from journals, poems written to music, poems written after meditation, poems written about dreams, and in response to poems by friends. What emerges from this field of language is a study of identity and its abstraction, formation, and analysis through interaction with texts of all kinds: poems, film, music, dream, and friendship.